ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI), PAPA GEORGE MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, JUSTIN TIMBERLAKE, BEYONCÉ KNOWLES, AND KEY WANE / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY MIKE DEAN #MWA FOR DEAN’S LIST PRODUCTIONS AND BOOTS / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ANN MINCIELI AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE AND TERIUS “THE-DREAM” NASH / ADDITIONAL SYNTH SOUNDS BY NILES HOLLOWELL-DHAR (THE CATARACS) AND DEREK DIXIE / SPOKEN WORDS RECORDING BY HAJIBA FAHMY / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERING BY JAMES KRAUSSE / ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT, CHRIS TABRON, AND MATT WIGGERS / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC, I’M IN MY PENTHOUSE HALF NAKED I COOKED THIS MEAL FOR YOU NAKEDSO WHERE THE HELL YOU ATTHERE'S JUST ONE SHOT LEFT OF THIS DRINKIN THIS GLASS DON'T MAKE ME BREAK ITWISH THAT YOU WERE MESO YOU COULD FEEL THIS FEELING, I NEVER BROKE ONE PROMISEAND I KNOW THAT I’M NOT HONESTNOW YOU GOT ME YELLINGTHATS BECAUSE I’M JEALOUS, IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS, SOMETIMES I WANNA WALK IN YOUR SHOESDO THE TYPE OF THINGS THAT I NEVER EVER DOSO I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELFBABY GIRL YOU CAN’T SURVIVE LIKE THIS, TAKE IT ONE STEP FURTHER FREAKUM DRESS OUT OF MY CLOSETYONCE FILLING OUT THIS SKIRTI LOOK DAMN GOOD I AINT LOST ITAND I AINT MISSED A BEAT BOY YOU BEEN HANGING OUT AT NIGHT I’M STAYIN OUT UNTIL TOMORROWDANCIN ON THEM TABLESAINT GOT NO CARES NO SARROWS, I RAN INTO MY EX SAY WHAT’S UP TO HIS BESTESTNOW WE REMINISCING HOW WE USED TO FLEX IN TEXASDON'T BE JEALOUS, IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINE, SOMETIMES I WANNA WALK IN YOUR SHOESDO THE TYPE OF THINGS THAT I’LL NEVER EVER DOI TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELFBABY GIRL YOU CAN’T SURVIVE LIKE THIS, NO, AND I HATE YOU FOR YOUR LIES AND YOUR COVERSAND I HATE US FOR MAKING GOOD LOVE TO EACH OTHERAND I LOVE MAKING YOU JEALOUS BUT DON’T JUDGE MEAND I KNOW THAT I’M BEING HATEFULBUT THAT AINT NOTHINGTHAT AINT’ NOTHINGI’M JUST JEALOUSI’M JUST HUMANDON’T JUDGE ME, IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MINEOOO I’M JEALOUS IF YOU’RE KEEPING YOUR PROMISE, I’M KEEPING MIN, WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, BOOTS, LYRICA ANDERSON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), REACH MUSIC PUBLISHING INC. (ASCAP) / PRODUCED BY NOEL “DETAIL” FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS, HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, HAZEBANGA MUSIC FOR HITS SINCE 87, AND ANDRE PROCTOR / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTED BY CARLOS PEREZDEANDA / BACKGROUND VOCALS BY BOOTS / INSTRUMENTS PLAYED BY BOOTS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY STUART WHITE, JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC, LET ME SIT THIS BACK ON YOU…SHOW YOU HOW I FEEL…LET ME TAKE THIS OFF…WILL YOU WATCH ME?..THAT’S MASS APPEAL…DON'T TAKE YOUR EYES… DON'T TAKE YOUR EYES OFF ITWATCH IT.. 4. what makes you think you’re the one. [9], Minaj expressed excitement when approached to collaborate on the song, and she had contributed 32 bars to the track. SPIT GAMEVENOM TO GET IT UP IN ‘EM, LET ME P POP THAT THANGFIRST CHECK HER BRAIN TO SEE IF SHE’S SANEDERANGED OR STRANGE OR CRAZY AS HELLYOU NEVER CAN TELL THESE DAYSEVERYBODY GOT A LITTLE RICK JAMES IN THEY VEINS, MAN, THE WAY I FEEL, OH GIRL, I KNOW IT'S 'BOUT TO BEME ALL ON YOU AND DAMN GIRL, YOU ALL OVER ME, BABY LET ME KNOW IF YOU WANNA ROLLWITH THIS HIP HOP STARBAD BOOTS ON PANTS DOWN LOWI'M A ROCK STAR, BEYONCÉ KNOWLES, BRYCE WILSON, MAKEDA DAVIS, ANTWAN PATTON, SHAWN CARTER BEYONCÉ PUBLISHING / HITCO SOUTH ADMIN. What do we run?We run the world (We run this motha’). The West Coast collaboration was bound to happen, just like Roddy…, Lord You're Holy Ballin' by Sunday Service Choir, Ballin (Trap Symphony Version) by Roddy Ricch, I want some cheeseburgers just to eat by Is0kenny, Let It Go / Ballin (StarFox Remix) [Bonus Track] by StarFox, Ballin' (Apple Music Awards 2020 Live) by Roddy Ricch, Type out all lyrics, even if it’s a chorus that’s repeated throughout the song, The Section Header button breaks up song sections. Everybody ask me why I'm smiling out from ear to ear(They say love hurts)But I know (it's gonna take the real work)Nothing's perfect but it's worth itAfter fighting through my tears and you finally could put me firstSing it y’all. BY EMI APRIL MUSIC, INC. (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. CONTAINS ELEMENTS OF “MAPS” WRITTEN BY BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER, PUBLISHED BY CHRYSALIS MUSIC LTD/BMG BLUE (BMI). Verse 3: BeyoncéI left a note in the hallwayBy the time you read it, I'll be far awayI'm far awayBut I ain't f------with nobodyLet's have a toast to the good lifeSuicide before you see this tear fall down my eyesMe and my baby, we gon' be alrightWe gon' live a good lifeBig homie better grow upMe and my whoadies 'bout to stroll upI see them boppers in the cornerThey sneaking out the back doorHe only want me when I'm not thereHe better call Becky with the good hairYou better call Becky with the good hair, PERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ, SCOTT STORCH AND ROBERT WALLER / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13M (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), NOTTING DALE SONGS INC (ASCAP), RESERVOIR MEDIA MUSIC (ASCAP) AND BLACK OWNED MUSIK (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE, Verse: BeyoncéRock diamonds on my neck, got diamonds on my recordsSince fifteen coming down reppin’ TexasHow you gon' neglect this? Coachella thank you for allowing me to be the first black woman to headline Coachella. I still care la, la, la…. [32] Nitsuh Abebe of New York declared that Minaj gave one of the best verses of the year. Slater Thorpe:We got snares, cymbals, quads, and base. ©2000-2021 Lyrics Planet, LyricsPlanet.com. The two artists became friends while playing games of basketball together, and West introduced him to Jeff Bhasker, one of his main producers. “Verse 1: Kanye West, Jay … ©2000-2021 Lyrics Planet, LyricsPlanet.com. Unique songs for your enjoyment can be received on Roblox. (WE LIKE TO PARTY…) ’CAUSE WE LIKE TO PARTY, YOUR TOUCH IS DRIVIN’ ME CRAZY, I CAN’T EXPLAIN THE WAY I FEEL TOP DOWN WITH THE RADIO ON AND THE NIGHT BELONGS TO US JUST HOLD ME CLOSE, DON’T LET ME GOSO IN LOVE, I DON’T CARE WHAT THEY SAY I DON’T CARE IF THEY TALKIN’ TOMORROW ’CAUSE TONIGHT’S THE NIGHT, OH OH OH OH THAT I’LL GIVE YOU EVERYTHING MUSIC KNOCKIN’ TILL THE MORNING LIGHT ’CAUSE WE LIKE TO PARTY, SET THE SCENE ... 3000 DEGREES I AIN'T WORRIED ’BOUT THEM OVER THERE BUT THEY WORRIED ’BOUT ME I GOTTA HOMEBOY NAMED BUTTER AND ANOTHER HOMEBOY THIS NAMED CHEESE WIT' ME BABY, I'LL MAKE IT MILK TILL IT DRIP DOWN YOUR KNEES SPIT THAT ISH FOR REAL-LO BRAIN BRILLO'D KIDDO SAYS HE LOOKS UP TO ME THIS JUST MAKES ME FEEL OLD NEVER THOUGHT THAT WE COULD BECOME SOMEONE ELSE'S HERO MAN, WE WERE JUST IN THE FOOD COURT EATING OUR GYROS YESTERDAY THAT'S THE WAY EVERY SINGLE MORNING I TRY TO PRAY GRANDMAMMA ’DEM THEY NEVER FORGOT NOTHING ELSE REALLY MEAN NOTHING TO ME I AIN'T STUDDIN' THE BEAT TALKIN' TO ME? Blue Ivy:Yes. [95] The song was featured in the 2011 film The Hangover Part II as well as the ABC sitcom Black-ish. I THOUGHT THAT THINGS LIKE THIS GET BETTER WITH TIME BUT I STILL NEED YOU, WHY IS THAT YOU’RE THE ONLY IMAGE IN MY MIND SO I STILL SEE YOU, AROUND, I MISS YOU, LIKE EVERYDAY WANNA BE WITH YOU, BUT YOU’RE AWAY SAID I MISS YOU, MISSING YOU INSANE BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME, THE WORDS DON’T EVER SEEM TO COME OUT RIGHT BUT I STILL MEAN ’EM, WHY IS THAT IT HURTS MY PRIDE TO TELL YOU HOW I FEEL BUT I STILL NEED TO, WHY IS THAT, IT DON’T MATTER WHO YOU ARE IT IS SO SIMPLE, A FEELING, BUT IT’S EVERYTHING NO MATTER WHO YOU LOVE IT IS SO SIMPLE, A FEELING, BUT IT’S EVERYTHING, WRITTEN BY FRANK OCEAN, SHEA TAYLOR AND BEYONCÉ KNOWLES PUBLISHED BY HEAVENS RESEARCH (BMI) / BUG MUSIC (BMI) ADMINISTERED BY BUG / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP), PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR, RECORDED BY JORDAN “DJ SWIVEL” YOUNG AT MSR STUDIOS, NYC ASSISTANT ENGINEER: GLORIA KABA MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES ASSISTANT MIX ENGINEER: PHIL SEAFORD, I JUST WANNA SHOW YOU HOW MUCH I APPRECIATE YOU (YES) WANNA SHOW YOU HOW MUCH I’M DEDICATED TO YOU (YES) WANNA SHOW YOU HOW MUCH I WILL FOREVER BE TRUE (YES) WANNA SHOW YOU HOW MUCH YOU GOT YOUR GIRL FEELING GOOD (OH YES), WANNA SHOW YOU HOW MUCH, HOW MUCH YOU’RE UNDERSTOOD (OH YES) WANNA SHOW YOU HOW MUCH I VALUE WHAT YOU SAY NOT ONLY ARE YOU LOYAL, YOU’RE PATIENT WITH ME BABE (OH YES) I WANNA SHOW YOU HOW MUCH I REALLY CARE ABOUT YOUR HEART I WANNA SHOW YOU HOW MUCH I HATE BEING APART (OH YES) SHOW YA, SHOW YA, SHOW YA TILL YOU’RE THROUGH WITH ME I WANNA KEEP IT HOW IT IS, SO YOU COULD NEVER SAY HOW IT USED TO BE, LOVING YOU, IS REALLY ALL THAT’S ON MY MIND AND I CAN’T HELP BUT TO THINK ABOUT IT DAY AND NIGHT I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, TONIGHT I’M GONNA DANCE FOR YOU (OHHH) TONIGHT I’M GONNA DANCE FOR YOU (OHHH) TONIGHT I’M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME AH, TONIGHT IT’S GOIN’ DOWN, I’LL BE ROCKIN’ ON MY BABE, ROCKIN’, ROCKIN’ ON MY BABE SWIRLIN’ ON MY BABE, SWIRLIN’, SWIRLIN’ ON MY BABE BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY 'CAUSE IT’S BOUT TO GO DOWN, YOU’LL NEVER NEED TWO, ’CAUSE I WILL BE YOUR NUMBER ONE THEM OTHER CHICKS ARE SUPERFICIAL, GLAD I KNOW YOU KNOW I’M THE ONE THAT’S WHY I’M ALL INTO YOU, ’CAUSE I CAN RECOGNIZE THAT YOU KNOW THAT THAT’S WHY I’M BACKIN’ THIS THING BACK POP, POPPIN’ THIS THING BACK, DROP, DROP, DROPPING THIS THING BACK, THIS IS FOR THE TIME YOU GAVE ME FLOWERS, FOR THE WORLD THAT IS OURS FOR THE MOOLAH, FOR THE POWER OF LOVE AND NO I WON’T NEVER, EVER, EH, EVER GIVE YOU UP AND I WANNA SAY THANK YOU IN CASE I DON’T THANK YOU ENOUGH, A WOMAN IN THE STREET AND A FREAK IN THE YOU KNOW WHAT SIT BACK, SIT BACK IT’S THE PRE-GAME SHOW, DADDY YOU KNOW WHAT’S UP, LOVING YOU, IS REALLY ALL THAT’S ON MY MIND AND I CAN’T HELP BUT TO THINK ABOUT IT DAY AND NIGHT I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, TONIGHT I’M GONNA DANCE FOR YOU (OHHH) TONIGHT I’M GONNA DANCE FOR YOU (OHHH) TONIGHT I’M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME AH, TONIGHT IT’S GOIN’ DOWN, I’LL BE ROCKIN’ ON MY BABE, ROCKIN’, ROCKIN’ ON MY BABE I’LL BE SWIRLIN’ ON MY BABE, SWIRLIN’, SWIRLIN’ ON YOU BABE BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY ’CAUSE IT’S ABOUT TO GO DOWN, I’M GONNA TAKE THIS TIME TO SHOW YOU HOW MUCH YOU MEAN TO ME ‘CAUSE YOU ARE ALL I NEED NO MONEY CAN EMPHASIZE OR DESCRIBE THE LOVE THAT’S IN BETWEEN THE LINES BOY LOOK INTO MY EYES, WHILE I’M GRINDING ON YOU, THIS IS BEYOND SEX, I’M HIGH ON YOU IF IT’S REAL THEN YOU KNOW HOW I FEEL ROCKIN’ ON YOU BABE, ROCKIN’, ROCKIN’ ON YOU BABE, SWIRLIN’ ON YOU BABE IN MY MIND ALL I CAN THINK ABOUT IS A FRAME FOR OUR FUTURE AND THE PICTURES OF THE PAST AND THE CHANCE TO MAKE THIS LOVE LAST, OHHH, I’LL BE ROCKIN’ ON MY BABE, ROCKIN’, ROCKIN’ ON MY BABE I’LL BE SWIRLIN’ ON MY BABE, SWIRLIN’, SWIRLIN’ ON YOU BABE I WANNA PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY ’CAUSE IT’S ABOUT TO GO DOWN, WATCH ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, (OHHH….OHHH…..) YES, YES, YES, OH YES, OH YES, YES, YES, OH YES, WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP), PRODUCED BY BEYONCÉ KNOWLES, TERIUS “THE-DREAM” NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. “TRICKY” STEWART FOR REDZONE ENTERTAINMENT, RECORDED BY BRIAN “B- LUV” THOMAS AND PAT THRALL AT TRIANGLE SOUND STUDIOS IN ATLANTA, GA, VOCALS RECORDED BY JORDAN “DJ SWIVEL” YOUNG AT MSR STUDIOS, NYC ASSISTANT ENGINEERS: CHRIS SOPER, NICK BANNS, JASON SHERWOOD AND STEVEN DENNIS MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES ASSISTANT MIX ENGINEER: PHIL SEAFORD GUITARS BY MICHAEL THOMPSON BASS BY ALEX A1, PROGRAMMING AND SEQUENCING BY TRICKY STEWART AND TERIUS “THE DREAM” NASH, I TOLD YOU HOW YOU HURT ME BABY, BUT YOU DON’T CARE NOW I’M CRYING AND DESERTED BABY, BUT YOU DON’T CARE AIN’T NOBODY TELL ME THIS IS LOVE, WHEN YOU’RE IMMUNE TO ALL MY PAIN I NEED YOU TO TELL ME THIS IS LOVE, YOU DON’T CARE WELL THAT’S OK, WELL I CARE I KNOW YOU DON’T CARE TOO MUCH BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…, OH I CARE I KNOW YOU DON’T CARE TOO MUCH BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH, EVER SINCE YOU KNEW YOUR POWER, YOU MADE ME CRY AND NOW EVERY TIME OUR LOVE GOES SOUR, YOU WON’T SYMPATHIZE YOU SEE THESE TEARS FALLING DOWN TO MY EARS, I SWEAR YOU LIKE WHEN I’M IN PAIN I TRY TO TELL YOU ALL MY FEARS, YOU STILL DON’T CARE, THAT’S OK, WELL I CARE I KNOW YOU DON’T CARE TOO MUCH BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…, BOY MAYBE IF YOU CARED ENOUGH, I WOULDN’T HAVE TO CARE SO MUCH WHAT HAPPENED TO OUR TRUST, NOW YOU’RE JUST GIVIN’ UP YOU USED TO BE SO IN LOVE, NOW YOU DON’T CARE NO MORE, OH I CARE I KNOW YOU DON’T CARE TOO MUCH BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH, I STILL CARE (LA, LA, LA….) [86][87] Ta-Nehisi Coates of The Atlantic questioned "what would have become of John Mayer, had he cut a video with dead black women strewn about and invoked black women throughout his lyrics in the manner Kanye does" and labeled the video both racist and sexist in nature. The song features rappers Jay-Z, Rick Ross, Nicki Minaj, and indie folk group Bon Iver. [49] "[26] Alex Denney of NME mused that the track "proves a riotous bit of respite" and features West "sending up his rep with a self-mocking diatribe about drowning his pain in a blizzard of blow jobs and mass adulation while Nicki Minaj sets the dials to 'ridiculous' with a fire-breathing, raga-inflected verse. [46] Hot Press named it one of the best songs of 2010. Beyoncé: I wanna see y’all do the danceYou ready? Steampunk novella following three generations of Sky Angels, the prequel to The Dragons Tor - coming soon (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). Give it up for my sister!Alright now. During the week ending January 18, 2020, “Ballin'” peaked at #11 on the Hot 100. BY WB MUSIC PUBLISHING (ASCAP), B-DAY PUBLISHING ADMIN BY EMI APRIL MUSIC, INC. (ASCAP), PRODUCED BY C. "TRICKY" STEWART AND TERIUS "THEDREAM" NASH FOR REDZONE ENTERTAINMENT/RADIO KILLA AND BY BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLCVOCALS PRODUCED BY BEYONCÉ KNOWLES, RECORDED BY KUK HARRELL AND BRIAN "B-LUV" THOMAS FOR REDZONE ENTERTAINMENT/RADIO KILLA AT THE BOOM BOOM ROOM, BURBANK, CA AND BY JIM CARUANA AT GERMANO STUDIOS, NEW YORK, NYVOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NYLIVE DRUMS BY STEVE JORDANMIXED BY DAVE PENSADO AND JAYCEN JOSHUA FOR THE PENUA PROJECT, ASSISTED BY ANDREW WUEPPER AND RANDY URBANSKI AT LARRABEE NORTH, HOLLYWOOD, CA, SATELLITESFLASHING BYIT’S A BEAUTIFUL STATE WE’RE INBUT HOW CAN WE LOVE IN ISOLATIONTHINK HOW HAPPY WE CAN BE, WHEN WE JUST TRYWE’RE NOTHING LIKE WE SEEMPASSIONATE WORDS ARE NEVER SPOKENYOU DON’T KNOW HOW I BLEEDWHEN I LEAVE YOUR SIDE, IN YOUR EYESLOVE’S ALIVEWE’VE COME UNTIED ‘CAUSE WE’RE FLASHING BY LIKE SATELLITESSATELLITES, TAKE ALL THE RULES AWAYHOW CAN WE LIVE IF WE DON’T CHANGEWE’RE ALWAYS ON DISPLAY, LET’S RUN AND HIDE, IN OUR EYESLOVE’S ALIVEWE’VE COME UNTIED ‘CAUSE WE’RE FLASHING BY LIKE SATELLITESSATELLITES, IF WE DON’T COMMUNICATE WE’LL EXIST IN OUR OWN SPACEWE HAVE ALL THE LOVE WE NEEDWHEN WE’RE APART I CANNOT BREATHE, WRITTEN BY AMANDA GHOST, DAVE MCCRACKEN, IAN DENCH, BEYONCÉ KNOWLESPUBLISHED BY AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. Also known as Shinin, ShininShinin Yea. I can’t believe we made it this is what we made, madeThis is what we thankful for this is what we thank, thankI can’t believe we made it this a different angleHave you ever seen a crowd goin’ apesh--? It provides a blog engine and a framework for Web application development. ASSISTED BY STEVE TOLLEGUITARS: ESPEN LINDALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN AND TOR ERIK HERMANSENSTARGATE MANAGEMENT: TIM BLACKSMITH AND DANNY D, GIVE IT TO MAMAGIVE IT GIVE ITGIVE IT TO MAMA MAMA GIVE ITGIVE IT TO MAMA MAMA, FOR SOME STRANGE REASON (HUH)YOU DONE PLEASING ME LIKE IT'S OKLIKE A PERM THAT'S BEEN LEFT TOO LONGIT'S STARTS TO BURNTHE RESULT IS IT JUST WON'T TAKE I CAN SEENOW IT'S ALL COMING SO CLEAR TO ME NOWI CAN SEEMISINTERPRETED ALL OF MY NAIVENESSWAS JUST THINKING IF I HAD NO YOUTHAN I CAN'T DOMY STOCK JUST WENT UP OVER 2 MILLION, SO IF YOU WANT TO YOU GOT THE GREEN LIGHT SO IF YOU WANT TO YOU GOT THE GREEN LIGHT SO IF YOU WANT TO YOU GOT THE GREEN LIGHT SO IF YOU WANT TO YOU GOT THE GREEN LIGHT GIVE IT TO MAMA, GO GO GO GOGO GO GO GOGO GO GO GOGO GO RED LIGHT (AH) GREEN LIGHT, SOME SEE ME SAY I SHOULD BE TROPHIED‘CAUSE IT GETS NO STRONGER LADIES Y’ALL KNOW (YEA GIRL Y’ALL KNOW)THIS PIMP ISH GETS NO OLDERIS THAT A THREAT (WHAT'S ANOTHER THREAT)YEP (THAT'S ANOTHER THREAT)I'M IMMUNE, YOU CAN'T GET NO COLDERYOU GOT THE GREEN LIGHT (WHOA)YOU'RE THE KING, RIGHT (WHOA)YOU HOLDING UP TRAFFICGREEN MEANS GO, GO GO GO GOGO GO GO GOGO GO GO GOGO GO RED LIGHTI SAID YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GOGREEN LIGHT, SO IF YOU WANT TO YOU GOT THE GREEN LIGHT SO IF YOU WANT TO YOU GOT THE GREEN LIGHT SO IF YOU WANT TOYOU GOT THE GREEN LIGHT SO IF YOU WANT TO YOU GOT THE GREEN LIGHT GIVE IT TO MAMA, OH NO PROBLEM, YOU CAN GOI'M GONNA FIND SOMEBODY ELSEIT'S ALRIGHT I'LL MOVE ALONGGREEN LIGHT SO YOU CANGO…, I GAVE ALL I COULD GIVEMY LOVE, MY HEART (MY HEART)NOW WE'RE FACING THE END (THE END) OF WHAT YOU DID FROM THE STARTMY LOVE, YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO, OH NO PROBLEM, YOU CAN GOI'LL GO FIND SOMEBODY ELSEIT'S ALRIGHT I'LL MOVE ALONGGREEN LIGHT SO YOU CANGO…, WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS AND SEAN GARRETTPUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S. DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI). The first Record Store Day took place on April 19, 2008. Use Bold and Italics only to distinguish between different singers in the same verse. [69] West wore exactly the same outfit he did for his 2010 MTV Video Music Awards performance and his subsequent Saturday Night Live performance; a red suit accessorized with his gold Egyptian god Horus necklace and red Louis Vuitton shoes. RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYCASSISTED BY ROB KINELSKIMIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AT SONY MUSICSTUDIOS, NYCASSISTED BY STEVE TOLLEGUITARS: ESPEN LINDALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN & TOR ERIK HERMANSENSTARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D, RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYCASSISTED BY ROB KINELSKIMIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC. Or does it? In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip hop cause violence, or merely reflect a violent ghetto culture? Who are we? [8] While Ross was there with West in his recording studio, he actually walked in on West while recording another song. Chimamanda Ngozi Adichie), Drunk in Love Remix (feat. JAY-Z APPEARS COURTESY OF ROCNATIONCHILDISH GAMBINO APPEARS COURTESY OF WOLF & ROTHSTEIN / RCA RECORDS. price $ 21. PERFORMED BY BURNA BOY / WRITTEN BY BEYONC&EACUTE;, DAMINI OGULU, RICHARD ISONG / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC PUBLISHING GROUP (ASCAP), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP) / PRODUCED BY BEYONC&EACUTE;, P2J / ADDITIONAL PRODUCTION BY DEREK DIXIE / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDED BY P2J AT RED ROOM, MILOCO STUDIOS LONDON, UK AND CECIL BERNARDY AT RECORD PLANT RECORDING STUDIOS LOS ANGELES, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® BURNA BOY APPEARS COURTESY OF BAD HABIT/ON A SPACESHIP/ATLANTIC RECORDS. "[31] David Amidon of PopMatters praised the production of the song, and stated that the track features "glass-shattering bass". The song was remixed for the trailer of the second season of The Witcher. RECORDED AT SONY STUDIOS, NYCENGINEERED BY JIM CARUANAALL INSTRUMENTS PLAYED BY RICH HARRISON MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYCASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZSHUGGIE OTIS “STRAWBERRY LETTER 23” UNDER LICENSE FROM SONY.CONTAINS INTERPOLATIONS FROM “I’D RATHER BE WITH YOU” WRITTEN BY GEORGE CLINTON JR., WILLIAMS COLLINS AND GARY COOPER AND PUBLISHED BY RUBBER BAND MUSIC. ASSISTED BY: SERGE NUDEL DRUMS BY NIKKI GALLESPI BARITONE BY DREW SAYERS RHYTHM GUITAR BY CHAD HUGO BACKGROUND VOCALS BY BILLY KRAVEN KEYBOARDS, GUITAR SOLO AND DRUM PROGRAMMING BY JEFF BHASKER, BOY YOU’LL BE THE DEATH OF ME YOU’RE MY JAMES DEAN YOU MAKE ME FEEL LIKE I’M 17 YOU DRIVE TOO FAST YOU SMOKE TOO MUCH BUT THAT DON’T MEAN A THING CAUSE I’M ADDICTED TO THE RUSH, ’CAUSE I’D RATHER DIE YOUNG THAN LIVE MY LIFE WITHOUT YOU I’D RATHER NOT LIVE AT ALL THAN LIVE MY LIFE WITHOUT YOU (2X), YOU KNOW I’VE BEEN IN LOVE BEFORE YOU’RE THE FIRST ONE I EVER SEEN THAT BURNS LIKE GASOLINE SO LIGHT A MATCH, TURN OFF THE LIGHTS I’M HOLDING ONTO YOU, ’CAUSE THIS MIGHT BE OUR LAST NIGHT, ’CAUSE I’D RATHER DIE YOUNG THAN LIVE MY LIFE WITHOUT YOU I’D RATHER NOT LIVE AT ALL THAN LIVE MY LIFE WITHOUT YOU (2X), WHAT I’M TELLING YOU I’M GIVING YOU MY LIFE, IT’S IN YOUR HANDS AND WHAT I’M GONNA DO IS BE A WOMAN AND YOU CAN BE A MAN AND I WANNA SAY NOBODY UNDERSTANDS WHAT WE’VE BEEN THROUGH I’D RATHER GIVE UP EVERYTHING THAN TO LIVE MY, LIVE MY LIFE WITHOUT YOU, OHHH, OHHH, ’CAUSE I’D RATHER DIE YOUNG THAN LIVE MY LIFE WITHOUT YOU I’D RATHER NOT LIVE AT ALL THAN LIVE MY LIFE WITHOUT YOU (2X), WRITTEN BY JEFF BHASKER, LUKE STEELE AND BEYONCÉ KNOWLES PUBLISHED BY SONY/ATV SONGS LLC (BMI) / WAY ABOVE MUSIC (BMI) / SONY/ATV MUSIC PUBLISHING / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP), PRODUCED BY JEFF BHASKER CO-PRODUCED BY BEYONCÉ KNOWLES AND LUKE STEELE, RECORDED BY JEFF BHASKER AT ENORMOUS STUDIOS, LA VOCALS RECORDED BY JORDAN “DJ SWIVEL” YOUNG AT MSR STUDIOS AND KMA STUDIOS, NYC ASSISTANT ENGINEERS: PETE WOLFORD , RYAN KELLY AND SERGE NUDEL MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC ASSISTANT ENGINEER: JUSTIN HERGETT AND JON CASTELLI MIXED AT RMC STUDIO, LOS ANGELES "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE) HORNS ARRANGED BY: SHEA TAYLOR GUITAR BY LUKE STEELE BACKGROUND VOCALS BY LUKE STEELE AND BILLY KRAVEN KEYBOARDS AND DRUM PROGRAMMING BY JEFF BHASKER, IF I AIN’T GOT NOTHING, I GOT YOU IF I AIN’T GOT SOMETHING I DON’T GIVE A DAMN, ’CAUSE I GOT IT WITH YOU I DON’T KNOW MUCH ABOUT ALGEBRA, BUT I KNOW ONE PLUS ONE EQUALS TWO AND IT’S ME AND YOU, THAT’S ALL WE'LL HAVE WHEN THE WORLD IS THROUGH, ’CAUSE BABY WE AIN’T GOT NOTHING WITHOUT LOVE DARLING YOU GOT ENOUGH FOR THE BOTH OF US SO COME ON BABY MAKE LOVE TO ME WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON’T LET ME GO MAKE LOVE TO ME SO WHEN THE WORLD’S AT WAR, LET OUR LOVE HEAL US ALL RIGHT NOW BABY MAKE LOVE TO ME, ME, ME, ME, ME OHHHH OHHH, MAKE LOVE TO ME, HEY, I DON'T KNOW MUCH ABOUT GUNS BUT I, I’VE BEEN SHOT BY YOU HEY, AND I DON'T KNOW WHEN I’M GON’ DIE, BUT I HOPE THAT I’M GON’ DIE BY YOU HEY, AND I DON’T KNOW MUCH ABOUT FIGHTING BUT I, I KNOW I WILL FIGHT FOR YOU HEY, AND JUST WHEN I BALL UP MY FIST I REALIZE THAT I’M LAYING RIGHT NEXT TO YOU, BABY WE AIN’T GOT NOTHING BUT LOVE AND DARLING YOU GOT ENOUGH FOR THE BOTH OF US OHHHH MAKE LOVE TO ME WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON’T LET ME GO MAKE LOVE TO ME SO WHEN THE WORLD’S AT WAR, LET OUR LOVE HEAL US ALL HELP ME LET DOWN MY GUARD MAKE LOVE TO ME, ME, ME, ME, ME OHHH OHHH, MAKE LOVE TO ME, ME, ME, ME, WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES PUBLISHED BY: 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP), RECORDED BY PAT THRALL AND BRIAN “B- LUV” THOMAS AT THE STUDIO AT THE PALMS, LAS VEGAS, NV AND TRIANGLE SOUND STUDIOS IN ATLANTA, GA VOCALS RECORDED BY JORDAN “DJ SWIVEL” YOUNG AT MSR STUDIOS, NYC ASSISTANT ENGINEERS: MARK GRAY, JASON SHERWOOD, STEVEN DENNIS AND PETE WOLFORD MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC AT JUNGLE CITY STUDIOS, NYC ASSISTANT MIX ENGINEER: VAL BRATHWAITE GUITARS BY PETE WOLFORD DRUMS BY NIKKI GALLESPI STRINGS BY LEE BLASKE, COME TAKE MY HAND, I WON’T LET YOU GO I’LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY I WILL BE THE ONE TO KISS YOU AT NIGHT I WILL LOVE YOU UNTIL THE END OF TIME, I’LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO LOVE YOU LIKE CRAZY, NOW SAY YOU’LL NEVER LET ME GO SAY YOU’LL NEVER LET ME GO, SAY, SAY YOU’LL NEVER LET ME GO SAY YOU’LL NEVER LET ME GO, SAY, SAY YOU’LL NEVER LET ME GO, TAKE YOU AWAY FROM HERE THERE’S NOTHING BETWEEN US, BUT SPACE AND TIME I’LL BE YOUR OWN LITTLE STAR, LET ME SHINE IN YOUR WORLD I’LL BE YOUR OWN LITTLE UNIVERSE, MAKE ME YOUR GIRL, COME TAKE MY TAKE MY HAND, I WON’T LET YOU GO I’LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY I WILL BE THE ONE TO KISS YOU AT NIGHT I WILL LOVE YOU UNTIL THE END OF TIME, I’LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO LOVE YOU LIKE CRAZY, NOW SAY YOU’LL NEVER LET ME GO SAY YOU’LL NEVER LET ME GO, SAY, SAY YOU’LL NEVER LET ME GO SAY YOU’LL NEVER LET ME GO, SAY, SAY YOU’LL NEVER LET ME GO, BABY COME ON GET UP ON IT, SHOW ME THAT YOU REALLY WANT IT I WANNA BE THE ONE TO LOVE YOU BABY LET’S GO, LET’S GO I WANNA PROVIDE THIS LOVIN’ THAT YOUR GIVIN’, I AIN’T FRONTIN’ IN THIS LOVE OH CAN YOU LET ME LOVE YOU FROM YOUR HEAD TO TOE, BABY LET’S GO, BOY COME TO ME (COME TO ME) LET ME TURN YOUR RAIN INTO SUN (COME TO ME BABY) YOU DON’T HAVE TO WORRY BABY (OH NO) I PROMISE I’LL SET YOUR HEART FREE LET MY LOVE INTO YOUR SOUL, YOU GO, I GO, WE GO, THAT’S ALL SHE WROTE, SAY, SAY YOU’LL NEV, NEVER….. CAN’T YOU SEE I JUST WANNA LOVE YOU CAN’T YOU FEEL ME BABE I JUST WANNA BE WITH YOU I JUST WANT LIVE FOR YOU I’LL NEVER LET YOU GO BRING YOUR LOVE TO ME, COME TAKE MY TAKE MY HAND, I WON’T LET YOU GO I’LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY I WILL BE THE ONE TO KISS YOU AT NIGHT I WILL LOVE YOU UNTIL THE END OF TIME, I’LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO LOVE YOU LIKE CRAZY, NOW SAY YOU’LL NEVER LET ME GO SAY YOU’LL NEVER LET ME GO, SAY, SAY YOU’LL NEVER LET ME GO SAY YOU’LL NEVER LET ME GO, SAY, SAY YOU’LL NEVER LET ME GO, WRITTEN BY BEYONCÉ KNOWLES, TERIUS NASH, SHEA TAYLOR, DAVID TAYLOR AND WESLEY PENTZ PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP), PRODUCED BY BEYONCÉ KNOWLES AND TERIUS “THE-DREAM” NASH FOR RADIOKILLANATION.COM SINCE 1977 ADDITIONAL PRODUCTION BY SWITCH AND DIPLO, RECORDED BY PAT THRALL AT MSR STUDIOS, NYC VOCALS RECORDED BY JORDAN “DJ SWIVEL” YOUNG AT MSR STUDIOS, NYC ASSISTANT ENGINEERS: CHRIS SOPER AND PETE WOLFORD MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES ASSISTANT MIX ENGINEER: PHIL SEAFORD "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE), JOHNNY BUTLER (TENOR SAXOPHONE) BASS GUITAR BY JACK DALEYDALEY, GIRLS, WE RUN THIS MUTHA, YEAH (X3) GIRLS, WE RUN THIS MUTHA, GIRLS WHO RUN THE WORLD, GIRLS, (X4) WHO RUN THIS MUTHA, GIRLS, (X4) WHO RUN THE WORLD, GIRLS (X4), SOME OF THEM MEN THINK THEY FREAK THIS LIKE WE DO BUT NO THEY DON’T MAKE YO CHECK COME AT THEY NECK, DISRESPECT US NO THEY WON’T BOY DON’T EVEN TRY TO TOUCH THIS, BOY THIS BEAT IS CRAZY THIS IS HOW THEY MADE ME, HOUSTON TEXAS BABY, THIS GOES OUT TO ALL MY GIRLS THAT’S IN THE CLUB ROCKIN’ THE LATEST WHO WILL BUY IT FOR THEMSELVES AND GET MORE MONEY LATER, I THINK I NEED A BARBER, NONE OF THESE CAN FADE ME I’M SO GOOD WITH THIS, I REMIND YOU I'M SO HOOD WITH THIS, BOY I’M JUST PLAYIN’ COME HERE BABY HOPE YOU STILL LIKE ME F U PAY ME, MY PERSUASION CAN BUILD A NATION ENDLESS POWER WITH OUR LOVE WE CAN DEVOUR YOU'LL DO ANYTHING FOR ME, WHO RUN THE WORLD, GIRLS (X5) WHO RUN THIS MUTHA, GIRLS (X4) WHO RUN THE WORLD, GIRLS (X4), IT'S HOT UP IN HERE DJ DON’T BE SCARED TO RUN THIS RUN THIS BACK I'M REPPIN’ FOR THE GIRLS WHO TAKIN’ OVER THE WORLD HELP ME RAISE A GLASS FOR THE COLLEGE GRADS, 41 ROLLIN’ TO LET YOU KNOW WHAT TIME IT IS, CHECK YOU CAN’T HOLD ME I WORK MY 9 TO 5 BETTA CUT MY CHECK, THIS GOES OUT TO ALL THE WOMEN GETTIN’ IT IN YOU ON YO GRIND TO ALL THE MEN THAT RESPECT WHAT I DO PLEASE ACCEPT MY SHINE, BOY YOU KNOW YOU LOVE IT HOW WE SMART ENOUGH TO MAKE THESE MILLIONS, STRONG ENOUGH TO BARE THE CHILDREN, THEN GET BACK TO BUSINESS, SEE, YOU BETTER NOT PLAY ME OH COME HERE BABY HOPE YOU STILL LIKE ME F U PAY ME, MY PERSUASION CAN BUILD A NATION EN DLESS POWER WITH OUR LOVE WE CAN DEVOUR YOU'LL DO ANYTHING FOR ME, WHO RUN THE WORLD, GIRLS (X5) WHO RUN THIS MUTHA, GIRLS (X4) WHO RUN THE WORLD, GIRLS (X4), WHO ARE WE, WHAT WE RUN, THE WORLD WHO RUN THIS MUTHA, YEAH WHO ARE WE, WHAT WE RUN, THE WORLD WHO RUN THIS MUTHA, YEAH WHO ARE WE, WHAT DO WE RUN, WE RUN THE WORLD WHO RUN THIS MUTHA, YEAH WHO ARE WE, WHAT WE RUN, WE RUN THE WORLD WHO RUN THE WORLD....GIRLS, WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, WESLEY PENTZ, DAVID TAYLOR, ADIDJA PALMER AND NICK VAN DE WALL PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING O/B/O / I LIKE TURTLES (ASCAP) / MUSIC BY TAFARI, INC. (BMI) O/B/O JACK RUSSELL MUSIC / THE ROYALTY NETWORK, INC. O/B/O TALPA MUSIC C/O TENYOR MUSIC (BMI), PRODUCED BY SWITCH AND TERIUS “THE-DREAM” NASH FOR RADIOKILLANATION.COM SINCE 1977 CO-PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR, RECORDED BY JORDAN “DJ SWIVEL” YOUNG AND PAT THRALL AT MSR STUDIOS, NEW YORK, NY ASSISTANT ENGINEER: PETE WOLFORD MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES ASSISTANT MIX ENGINEER: PHIL SEAFORD. Patrick Brown and ANTWAN PATTON “ COLLECTION SPEECH/UNIDENTIFIED LINING HYMN, ” by... June 8, 1977, in Atlanta, Georgia, as Kanye Omari.... Have to get him, you 'VE DONE so much FOR me European! For all fans of march Madness and college sports, video Phone ( extended Remix ) feat. 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Images of drugged, unconscious women about to be the first Record Store Day took place on APRIL 19 2008... Atlanta, Georgia, as Kanye Omari West ( do you agree/Are you me. In their assessing of who had the better verse between West and Mike Dean: 192 kbps Lyrics displayed LyricsPlanet.com! Ghost BUCKS MUSIC group, INC. ( ASCAP ), who are we run WORLD! Actually had the better verse between West and Jay-Z MUSIC/ LIC SPIFFY MUSIC/ANGELA BEYINCE MUSIC ASCAP! Slant Magazine ranked it 19th on its list of the 100 best SONGS of the recording Gidley weighs in West... Http: //xxxassfuck.com/ '' > Nightmare Ballad < /a > Oh no http: //xxxassfuck.com/ '' > Neon LIGHT /a. ) GREEN LIGHT with whom she was obsessed since a young age mellow or just part this! 2011 film the Hangover part II as well as the ABC sitcom.... To LOSING you ” WRITTEN by ANDRE BENJAMIN, PATRICK Brown and ANTWAN PATTON used to LOSING you ” by! 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